Yes, very nice. Would love to see her with the top down.
It's a classic rat's nest inside. It's pretty embarrassing compared to the stellar work that you guys do.
- How did you handle covering up the pins on that PT?
I placed the transformers with the pins facing each other and about 1cm apart. I cut a section out of an isopropyl alcohol bottle and installed it with silicon. It sounds kinda hokey, but it is actually structurally sound and plenty sufficient for inquisitive fingers. I was originally going to bend up a brass cover, but I lost my enthusiasm as the project dragged on.
It appears that the IN4007 diode in the bias supply might be drawn wrong (?)
It's the Vox approach as opposed to the Ampeg approach that is more familiar. With the Vox setup, the entire signal is negative on the bias side of the 0.1/630V cap. while the Ampeg setup only has part of the signal in the negative. The Vox setup will charge up faster than the Ampeg setup, but it is not without some quirks just as the Ampeg has some quirks. The Vox setup has to have a load on the B+ or the bias will go to zero and the B+ turns into a voltage doubler. The 100K/3W resistor in the B+ supply is the minimum load necessary to to keep both supplies functioning properly in the event someone removes the tubes. A 220K resistor is too large for this function.
- What's going on at V1-B where the grid appears to be grounded?
This goes back to the '70's when I was primarily modding Fenders and Marshalls and I noticed that the high gain preamps always sounded better with the Fenders than the Marshalls (to me). The only difference was that the Fenders typically had that 220K/220K mixing thing and when I put that in a Marshall, then it was identical to the Fender. It didn't seem to matter what the triode was doing that was being mixed into the main signal chain by those 220K/220K mixing resistors, so just sitting there with the grid grounded is just as good as anything. Then I started replacing the 220K mixing resistor on the null tube with a 100K resistor in series with a pot. and calling it a "harsh" control. Now to me, this sounds different than various set ups going to ground instead of to a plate, but I haven't found any objective evidence with a 'scope.
The one I am working on right now has a two-stage reverb recovery that mixes into the main signal chain with 220K/220K resistors, so this time the triode is actually doing something.