The published schematic shows -0.5V, you see -0.2V.
For one, the schem also shows Vp=100V, you observe 75V. The way this bias works, you expect the grid-leak self-bias to scale *roughly* with plate voltage. So if Vp=75V is acceptable (it works), you expect -0.375V at grid.
This grid-leak scheme is VERY variable tube to tube. 2:1 differences are reasonable.
This voltage is at a VERY high impedance. The schem says "vacuum tube voltmeter", no spec (typically 10Meg to 22meg). Modern DVMs may be 10Meg, though some are 1meg. Not-knowing, I'd guess that some of the difference in reading is just difference of meter.
IMHO, that stage is working near-enough as-designed.
However it was designed for magnetic phono or dynamic microphone, nominal level 0.005V, peaks hardly over 0.035V. Your guitar is likely to peak 0.2V to 0.5V. As the bias is 0.2V, your loudest strums WILL distort.
The published schem is in error at V3B, cathodyne driver. The 45V 100V 290V notes do not add-up correctly. Pin 6 is probably nearer 240V. Your observations differ.
Meter loading is an issue for the higher-Z nodes. Would be good to know what your meter is, and look-up the specs for DCV input loading.
I hate to say it, but I bet many of the resistors have drifted far-far off of spec. With power OFF, about 90% of them can be checked in-circuit. Start with the big dropper resistors on the main filter cap can. First short each cap-lug to chassis with an insulated-handle screwdriver tip. (Even non-lethal voltages can blow an ohm-meter.) These should read very-low at first (showing the cap absorbing charge), then rise to nearly the marked/noted values 3K 3K 50K.
And for geetar, if there is any (or no) doubt about R13 50K, just replace it with 22K or 10K. Guitar needs higher voltage to the preamps.
Go through the signal stages too. A "500K" plate resistor drifted to over 1Meg will be bad. And drift in carbon-comp resistors strongly suggests hiss and outright bad contact (crackle). I'd also bet there is an almost-good solder-joint in there, starting to come-apart after only 57 years; look for it/them.
For an all-purpose guitar amp, you would rip-up V1 and re-do it as cathode-bias with gain control after the first stage. The "MIC" input must be overloading when hit hard, even normal. This may be useful, if your fingers adjust to the happy/wild level of the preamp, but different guitars or passages may not fit the preamp so well.