"Reducing gain" at the cathode follower doesn't "read right" to me, because the cathode follower already has a smaller output signal than its input signal; so, there's "no gain" there already.
As a result, if I had to choose from your options (though each works), I
might consider the split plate-load more sensible. But this is very similar to what JJasili suggests: an interstage voltage divider.
Building up a signal, then knocking it down with a voltage divider (whether a volume control, fixed interstage divider or a tapped plate/cathode load) makes a lot of sense in a high-distortion preamp. I suggest it makes less sense in a clean preamp. Instead, if your cathode bypass caps are bigger than ~5uF, you could simply remove a bypass cap to cut that stage's gain by about half.
Well, the beast ain't really a 5F6. It's got a 6SL7 as first preamp tube (gain stages before and after the volume control). No NFB.
Not VERY gainy, but the player wants the most clean headroom.
This is a soapbox item for me. You really have to get inside the player's head to know if they say, "more headroom," but really mean more volume capability before output tube distortion (which will require a bigger/different output stage or something akin to Super Scaling), or if they mean "turn the volume higher before distortion kicks in.
You can fake "more headroom in the latter case by removing a bypass cap, or you can add a resistor between the prior stage's coupling cap and the "input" of the volume pot. The latter makes it so there is an upper ceiling on how high the volume pot can be turned up, which will be less than you'd get with a stock volume control. The end result is a smaller output signal and the impression the amp stays cleaner until a higher volume pot setting.
You can experiment with the limited volume control by wiring a pot as a variable resistor in series with the original volume pot, or the split plate load by replacing the plate load with a typical pot. Vary each with the player testing the amp, and settle in on the value that works for him.
I have a sneaking suspicion that the player will think the amp works fine for his needs until he tries one of these approaches, then discover that what he really wants is "louder" not "more headroom" (whatever that means to him). The are pluses and minuses to the several approaches to trying to increase the real output power of his setup.