> the characterisitc curves are nearly identical to the regular 12AX7s to be within the manufacturing tolerance.
Agree. Manufacturing and *measuring* tolerance. See attached. GE 1953 versus this MG.
We know the old data is a limited number of points (all hand-measured, and a junior engineer's time is worth something), then smoothed over with a French Curve (ask your daddy). The new data is probably machine-taken, and could be very detailed, but the MG curves show kinks which are probably insufficient points dotted together by a graph program which does not know what the curve should be.
One "difference" is the zero-grid curve around 25V and 0.5mA. The GE line rises quite abruptly. This has always been suspicious.... electrons aren't that easy to push around. And in 300V tube amps we never get into this area.
Another is the spacing near say 250V and 0.2mA. This would be where a Fender-tradition amp stage "compresses". The MG appears to compress more, but the kinkiness suggests they just didn't plot enough points in the 0.1mA area.
The thin blue line is a typical 300V 100K load-line. Along most of this line the match is exact.
And IMHO both could come from the same production line, even in the same bottle. You wind super-fine wire around two rods, you never get two grids exactly alike. Or two cathodes with the same surface activity. Plate spacing depends on stamped mica and mica hates to be stamped.
And if it truly IS "medium gain", that could be a way to market tubes which fall on the low end of the tolerance range.