I have tried post-PI master volume in several amps and my experience is that the level of distortion stays fairly constant when you turn it down. ... To me this indicates that the power tubes contribute less distortion than one might expect. ...
Thanks for clarifying.
If we're talking traditional non-master volume amps, the output tubes always distort first. If it's a home-brew design, all bets are off (depending on the builder/designer's capability/intention). If we're talking a master-volume amp, the stage right before the master distorts first except when the master is full-up (all bets again off for a home-brew design, or any modded amp).
In his
Bassman Book Kuehnel shows the output tubes distort for-certain with a 48v peak input (to one side). However, the phase inverter has an output headroom of (at least) 57v peak; page 112 says, "
... an overdriven Fender Bassman 5F6-A is characterized by power amp distortion, not preamp or phase inverter distortion, and that downstream stages are overdriven before upstream stages under all but extreme control settings."
This is reinforced by Kuehnel's
Guitar Amplifier System Design, were Chapter 3 (which gets to the nitty gritty of designing the amplifier) proceeds with the power section, then power supply, driver, feedback, and master volume in that order. The preamp is dealt with after all those other sections are done, as the end of the signal chain sets the requirements for whatever is placed before.
I have tried post-PI master volume in several amps and my experience is that the level of distortion stays fairly constant when you turn it down. ... To me this indicates that the power tubes contribute less distortion than one might expect. ...
If you begin with anything other than the master-volume at maximum, the test is already rigged by reducing signal level driving the output tubes. If the master-volume is not incorporated properly into the circuit it can destroy the headroom of the phase inverter, leading to a self-fulfilling prophecy.
It's also possible to skew the situation with pedals. A blackface Fender amp has a tone stack & volume control before the 2nd gain stage. The input stage of these amps can usually handle a ~1v peak signal before serious distortion, which is often 5-10x what is applied by a naked pickup. It's possible to use a strong enough boost pedal to slam the input stage into clipping while keeping the volume control almost off, so that the 1st gain stage is the first thing to distort.
The exceptions to the above tend to prove the rule, as in Laney's "<1w input" that reduces drive signal to the output tubes so severely the phase inverter is guaranteed to be the first thing to distort. But it's also so atypical an approach that it confuses people.
The Laney has 2 input jacks, one marked "15w" and one marked "<1w."
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It's not "changing power" so much as just being a preset post-phase inverter master volume.
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... So I guess that means that it is impossible to drive the power section ?
Not at all! If you want the output tubes to distort, you plug into the "15w jack" and crank the amp up beyond 15w of output. Start with this amp's "Volume" control full-up, and slowly advance the "Gain" control until you hear distortion. It's gonna be loud!