phase, not phrase. Very audio, not literary at all.
6L6 was originally metal and the shell was tied to pin 1.
6L6G came soon after, on a plastic base, pin 1 was not connected (often missing). People forgot this, and stole lug 1 for a cheater point.
Using Lug 1 for a tie-point is short-sighted. Yes, Fender got away with it; this is one detail you should avoid.
6L6/6L6G was so very popular that the Europeans had to have one, only better. It isn't easy getting 6L6 performance with just 0.9A heater power, they went for 1.3A and a bit better plate dissipation: KT66. This idea came back around to Newark as the 5881, higher real dissipation than 6L6/6L6G but still on 0.9A heater.
All three tubes are 99% interchangeable, and we often didn't care which we got. Most chassis will bias fine and won't mind the heater current.
6L6GC is a very different tube, an economical TV sweep tube built to work in 6L6 et al sockets but with significantly higher (yet understated) ratings.
What you get today is whatever will work in an amp. I doubt anybody has made separate tooling for 6L6 versus KT66 in decades, though if they have both stampers hanging around from the 1950s they may use both stampers (for either tube). Likewise if they have miles of 0.9A heater-stuff, and can make a good tube with it, why fool with special 1.3A heater wire? Also the technology of TV tubes improves the economics, and I suspect many "6L6GB" and "KT66" are more like 6L6GC than like the originals were in the 1950s.
> look cool as hell
That's the most important thing.