> I forget the diff between 120 & 60Hz
Because of the way the ear hears: not much.
60 and 120 are an octave. You know that two notes an octave apart sound a lot alike. That in a melody or chord, you can generally use the same note-letter an octave up or down, and it's still the same music, just a bit different.
In the output stage, pure 60Hz will usually be a low hum, stray "120Hz" is usually contaminated with overtones and sounds like "buzz". However the B+ filtering to preamps knocks-down the overtones more than the 120Hz. And typical guitar speakers don't do 60Hz well, nor can your ear hear it well, so the impression may be any stray overtones rather than the 60Hz fundamental.
(We suspect this is in the preamp because the volume control affects it, and it goes away when volume is at zero. The problem is *probably* in the stages before the volume control.)
Good commercial designs don't have much excess B+ filtering. You need all those nodes and roughly those values. Steve may have over-killed a bit, or not; sounds like he put that choke in there for a reason. It is surely possible to go through the math and invent a chokeless filter with acceptable voltage-loss and ample buzz-filtering... but why think that hard when a known-good plan is handy?