> 0.8 ohms to ground why would it go to the speaker?
The OT is an inductor.
The ideal inductor has zero impedance at zero frequency (DC), infinite impedance at infinite frequency, and in-between impedance at in-between frequency.
For easy insight, assume the winding is marked "10 ohms" and the DC resistance is 1 ohm.
Get a lot of test gear. Run say 1V audio signal through 100 ohms into the "10 ohm" winding. Measure audio voltage across the "10 ohms". At 1Hz(*) you may see 0.01V. The winding is about 100*0.01 or 1 ohm. Come up to 10Hz and you may get 0.02V, 2 ohms impedance. At these subsonic frequencies, most audio power DOES short-out in the transformer, little gets to the speaker. At 50Hz it may be 10 ohms impedance. About half the power gets diverted to speaker. At 500Hz the naked transformer may be 100 ohm impedance, nearly all audio power goes to speaker.
Those numbers are ballpark for guitar. Cost and weight are vital, we have nothing below 80Hz, distortion is not a sin, and we maybe don't want a full dose of 80Hz (boom and slap). A push-pull Hi-Fi tranny's impedance will be high by 20Hz for good response and THD specs, but that means more cost and weight.
(*) Ordinary test gear does not work well at 1Hz. While some sig-gens go that low, most meters won't. I had a modified VTVM which was verrrry sloooow and flat to 1Hz. You may also use a 'scope set to "DC".
> remove the copper plate and replace with buss wire
Electrically, copper is copper.
Being thrifty, I think the strip is EXCESS money.
But Fender was no fool. He probably did that so the pots could be fully wired (including grounds) and checked BEFORE the guts went in the chassis. In volume production, the cost to re-work mistakes is greater than the cost of the strip.
Leave it alone. A little tarnish AFTER solder does no harm.