
Example. Two amplifiers, each rated 100 watts maximum into 4 ohms, in bridge mode they will appear as a mono amp rated 200 watts into 8 ohms. This is the most commonly misunderstood mode of operation and it requires additional circuitry to implement if the pair of amplifiers does not have the facility built in. The image shows two identical amplifiers A1 and A2 connected in bridge mode. The signals presented to each amplifier of the pair are caused to be in anti-phase. In other words, as the signal in one amplifier is swinging positively, the signal in the other is swinging negatively. If, for example the maximum output voltage swing of each amplifier is between a peak of + and – 10 volts, when the output of one amplifier is at + 10volts the output of the other will be at –10 volts, which means that the load (a loudspeaker) now sees a 20 volt peak difference between the “hot” (normally red ) output terminals.

The image shows two identical amplifiers A1 and A2 connected in parallel configuration. This configuration is often used when a single amplifier is incapable of being operated into a low impedance load or dissipation per amplifier is to be reduced without increasing the load impedance or reducing power delivered to the load. For example, if two identical amplifiers (each rated for operation into 4 Ω) are paralleled into a 4 Ω load, each amplifier sees an equivalent of 8 Ω since the output current is now shared by both amplifiers — each amplifier supplies half the load current, and the dissipation per amplifier is halved. This configuration (ideally or theoretically) requires each amplifier to be exactly identical to the other(s), or they will appear as loads to each other.
http://en.wikipedia.org/wiki/Bridged_and_paralleled_amplifiers