> if the distortion is how it's supposed to sound.
Straight or reverb side? Both?
Basic voltage checks.
What is the raw B+, and does it drop "some" going down the filter chain?
The first and third stages are simple voltage-gain stages. You expect the grids at dead-zero, cathodes to be at a few volts, plates at 1/2 to 2/3 of that stage's supply voltage.
The second stage is another voltage-amp, except with a VERY fat triode, high current. (More like the 6V6 in a Champ than a 12AX7 stage.) Expect the cathode at about 5% of supply, plate at 1/3 to 2/3 of supply.
R-11 is 10W so could work with 223V across it, 150V would be better practice, 100V would not justify a 10W part in a cheap amp, it would be 5W. Some pondering of the 6DR7 specs say it and its cathode resistor drop a little less than half the total supply here. So the total supply at C-13 must be over 200V and under 400V, probably 300V. The big-triode current is 30mA-40mA, other stages a mA or so each. Taking 40mA in R-25 R-26 gives C-14 voltage 40V higher than C-13 voltage. So the raw B+ at C-14 is probably 320V-375V area.
The fourth stage is a self-bias cathode follower. Really a volt-amp but with the 100K moved from the plate to the cathode, upside-down. So expect the 100K at 1/3 of supply, the cathode a couple volts higher. _Any_ leakage in C-9 will slam the grid and cathode to ground.
Stray thought: R-1 R2 470K is awful high. Keeps radio out, but kills a bit of treble. I wonder if it is a typo for 47K. A couple 68K here works well for Fender and many clones.