Here's a correction. BTW -- if you look at the layout (which I drew after I built the board), you'll see that I have a bigass .1/600V in front of the tone control. I'll have to give my Q/A dept a piece of my mind!
I know it's obvious, but when I build a pedal or a preamp, I build the circuit and layout with a R1 (see "A" diag, below) on top of the output level control. Once the circuit is up and running, If there are gain or tone knobs, I dime them all such that output is as big as it can be and use a decade box as R1 to dial it in using a sine wave generator as the input and a scope on the output. I'll shoot for +12dB or whatever, and I try to make unity 9-o'clock or 'noon'. I write that down on the bottom, or on the schematic (or something that stays with it) so that when I pick it up in 5 years, I know what I'm dealing with, or... if some lucky soul buys it at a flea market for $1 after I'm gone, they'll know and won't blow up their Peavey Bandit (if those things can be blown up...)

Also, see diag.B, I've toyed with this arrangement but its tricky to dial in. P1a and P1b are ganged. as P1a is turned up, P1b increases resistance. the tricky part is common ganged pots are 1M/1M or 500K/500K, and relative effect on gain might need a 500K/1M to affect a smooth level output. You can parallel a resistor on one or the other to change it's overall resistance in the circuit, but it takes some fiddling. It seems like I saw this on an Acoustic or Kustom schematic once.. and marshall did similar things with switches and fixed resistors.
Another thing I've done on recent preamps with consecutive gain stages like in diag.B is to put a resistor under P1a between it and ground. Dial that resistor in so that the entire gain of the first gain stage is unity. When it's turned all the way down, all gain is 100% 2nd gain stage. Also, the final level pot goes to zero volume, when would you ever set P1a to zero signal volume?