Some of you may still remember an attempt I made at a single-ended Plexi circuit. Yes, it's been done before. No, I can't leave well enough alone. Madison's 2204 thread got me thinking about this circuit again.
Two things bothered me about virtually all of the single-ended Plexi-like designs. They don't use negative feedback and the tone stack goes directly into the power tube grid. All Marshall push-pull amps have a phase inverter between the tone stack and the power tubes.
I came up with one approach which is in the attached PTP SE-34 schematic. Basically, there's a voltage divider before the psuedo-PI to knock the signal down, and then the plate resistor is split to create another voltage divider and further reduce the signal hitting the power tube. My thinking was that all of the designs like the AX84 circuits have enough voltage swing in the signal without another gain stage so I would need to reduce the gain of my psuedo-PI. The voltage divider values are just bookmarks at this point - I have NOT built this amp yet.
Footnote: Please ignore everything in the PTP SE-34 before the tone stack or in the power supply for now.
Turns out I'm not the only one who thinks NFB and a PI are an important part of some amps' "sound". Madison's thread got me searching over on the Amp Garage and AX84. A search for "fake pi" turns up some interesting stuff. One guy, Dartanion, builds a production amp called the Absinthe with a full long-tailed pair phase inverter and then just uses one of the outputs to supply signal to two single-ended EL-34s. That seems a bit silly to me, but I'm not selling amps commercially so what do I know? Apparently Ken Fisher built an amp called the Dirty Little Monster which had a "fake phase inverter", but I can't find a schematic of his actual circuit - just guesses based on internet folklore.
Anyway, after looking at a bunch of circuits I see four primary alternatives. They're on the second sheet of the SCH file. I've also posted a PDF format just in case.
#1 really is the same as the PTP SE-34 except for the location of the master volume. What do you all think about putting the MV after the psuedo PI? Is there a possible advantage for the yet-to-be-designed effects loop? Any downside to having the MV inside the NFB loop?
#2 uses a really cold-biased gain stage instead of voltage dividers. I assume that it would introduce asymmetrical clipping. Would that be similar to a LTPI clipping?
I found several variations of #3 but included this one because of the Presence control. I assume that the function of the 22K resistor under the cathode of V3b is to reduce the voltage drop across the triode. Again, that shifts the bias point of the stage but I don't understand the goal. Is it to get a "warmer" tone from the stage similar to what dropping the B+ supply to the plate would do?
#4 is the concertina splitter idea I had the other day. It's a stage with no inherent gain. That's a plus assuming the signal coming out of the tone stack is big enough to drive the power tube. No voltage dividers needed. I think it provides an insertion point for negative feedback but am not sure it would work well. Also, I've read that concertina splitters sound "bad" when driven to clipping so this may not be the best choice for a "pseudo PI".
OK, so I'm out of my depth here. My design goal is to have a single-ended amp with an EL-34 power tube and about 10-12 watts of output that will sound just like a Plexi. Do you all think NFB is an important part of the tone & feel of a Plexi? How about having a distortable gain stage after the tone stack?
One last question for this seemingly endless post: Where would you put the Master Volume? Before or after the pseudo PI?
Just for fun, I'm also attaching a weird circuit I discovered from AX84. There's a pseudo PI stage, but it actually has a negative voltage reference for the cathode resistor. Otherwise it looks kind of like alternative #4.
Thanks in advance for any and all thoughts, comments, etc.
Chip