Great sound on the amp. One thing I notices was that it sounds a lot brighter than I was expecting. Most of the cathode bias designs I have fooled around with sound a little muddy for my tastes.
Co-laboring with Geezer and sharing notes back and forth has been a HUGE help in getting a cathode biased tone I like. Geezer has turned me on to some great approachs. I think I have found five major components to get the cathode biased sound I like:
1) lower value cathode caps 5uf and often 1- 2.2uf (I usually use a 10uf -47uf value for power tube cathode caps & prefer the lower value
usually)
2) lower value filter cap for V1. I like using a
10uf/450 on V1. I feel like this is really important, IMO.
3) using caps that don't sound muddy. On more normal gain amps, I like both Orange Drop and Mallory's. On higher gain amps, I like
the Orange Drop PS series only. Regular OD's in a high gain amp sound harsh and the Mallory's sound muted to me. Again, I like those
caps alot in amps that aren't higher gain
4) figuring out how to use bright caps in the right place while still using smoothing caps in the right places. That combination allows
nice harmonics and blooming to still come thru while maintaining a smooth tone
5) using lower gain value 12A_7 tubes. I usually use a 12AY7 or 12AV7 in V1 and rarely anything above 5751. I like the same in the OD
gain stages also & sometimes a 12AT7 in the LTPI. Using all 12AX7's gives me a muddy tone in a higher gain amp. About the only place
that I use 12AX7's is in the LTPI in a higher gain amp.
It's amazing how much gain & sustain you can get with a 12AY7 in a higher gain
amp. And the tone is much sweeter & more musical to my ears. I like the 12AY7's that Doug carries. Nice tube, IMO.
Those components are giving me a tone that I like & that I hear as transparent and not muddy.
With respect, Tubenit