I am going to make another one of these. This time in a much larger chassis and all new good quality parts. It is a cool amp for heavy rock. Very brown sounding. I have a couple of questions. I had a problem with parasitic oscillation in the original which was fixed by adding shielded cable from the inputs to V-1 and from the board to the Master and Volume and the treble. This one is going into a 17 x 10 x 3 chassis so I will have the room to run the wires neat and correct.
The question I have is the use of the shielding cable in the tone stack. I have the wire connected to the board and the shield grounded at the back of the pots. If I were to use shielded cable in the entire tonestack, can or should you use them between pots and if so, which end would ground, either?
The other question I have is about the tonestack in the TMB. It doesn't seem to have very much bottom. As a matter of fact, there is not a lot of change in any of the tone controls. There is some. To move it towards mid scooped like a Blackface fender, or this just the nature of an 18 watt? All of my Marshall are similar, but not as restrictive as this. I put an eq in front of it last night and it is very capable of a tight, deep bottom.
I changed the choke to a 3 henry from the 20 henry and added a 1k5 10 watt dropping resistor between C1 and 2 and it opened up and became increasingly more touch sensitive. I still have the choke from C2. I am also wondering about the filter cap values. It has a dual 50/50uf-500v (C1 and 2), 22uf-C3 and 22uf-C4. I know the filter caps remove ripple, but I have also read where larger values tighten up bottom end. If it does, I certainly do not understand how or if this could benefit.
The amp roars, but it is almost impossible to get a clean sound out of the TMB channel without losing volume. The additional gain stage is really hot which is cool, but is there a way to tame it and make it so a footswitch can go from clean to mean?