Glad you got it going. What about the reverb footswitch? That's got to be a simple fix. Remember though, you must use shielded cable for the reverb footswitch. Tremolo does not have to be shielded.
I have a 2 button footswitch, not a fender type. If I remember correctly it grounds on, lift the ground and the reverb is off. With my Supers, I don't even use a footswitch. I have a a rotary switch on the intensity and just turn it on an off from the front with a jumper RCA on the back. I use some reverb all the time, sometimes I turn it up or down, but it is on all the time.
Should be a simple fix, but it wasn't last night. Probably, all I have to do is use Fender type footswitch. The one I had connected is the old Marshall type with RCA. I am quite sure it is not shielded. I've got a box full of the fender style, but I never really liked them. The 2 buttons are too close together and they do not weigh enough. I will get it going, but will probably end up with a single button for the tremolo.
Can you use a 1 meg switchable dwell pot to turn on and off the reverb? I am going to order a large tank 3 springer from Doug today, so I will need to add a dwell. If a switchable dwell will turn off the reverb, I may go that way. Either way, Like I said, I always have some reverb running with Fender type amps. It just seems like it is part of the Fender sound to me.
I still can't get over the difference in the tremolo and how smooth it is compared even to my Bluesbreaker and I never use the roach tremolo. I made a pedal years ago. The click has always driven me crazy.
Next will be the Master Volume. I have the one you posted wired and ready to install, but I have a feeling it is going to be a non-master amp and the hole I have in the back will have a dwell in it. I have room for both, but I have not drilled a hole for a dwell. Reason being is when I had the NFB disconnected the amp has breakup at very low volumes. I may be wrong, usually am, but I don't know if adding a MV will benefit.
Also, I read where the 7C5 is just a 6V6 in a different socket, but I have never heard such a strong and tight bottom end from a 6V6. Maybe that is just what a Princeton does. If it is just the AA1164 I question why my Blackface Deluxe won't do it and why this circuit was not used in anything other than the Princeton Reverb. I don't know the differences in the AB763 and the AA1164 are as I have not compared the schematics of both. I know right off hand they are filtered differently.