> 12AX7A in 1960.
Non-issue. This "A", like most in that era, just means "controlled heater warmup" for use in series-string with assorted tubes (TV sets). We rarely find series-heaters in guitar amps. When we do, it is usually a string of the "same" types, so un-even warming is not an issue. And I suspect today's factories don't control warm-up (except they probably use the same heater-stuff throughout a range of types).
Yes, the 12AX7 has WWII roots, gunnery computers. It is a 6F5 prototype, made 2-in-1, in a mini bottle. It never had audio aspirations.... who could possibly need that much gain in that small space? And the gain is horrid with transformer coupling. Well, we did find audio uses for 12AX7. Nobody complained about the hum. But the trick-heater (thanks for the patent citation) seemed appropriate. OTOH there were millions of sockets known to work fine with old-style 12AX7, some mission-critical (advanced gunnery computers) where nobody wanted to take chances on new tricks. Also by this time 12AX7 was a competitive or mass-contracted product, you couldn't up the price. OTOH you could introduce a "new" tube in the new Industrial (4-digit) series, add a spot-check for hum, perhaps incorporate better micas, claim "upgraded 12AX7", and charge a higher price for a while. Apparently at some point Leo thought the 7025 was better in some sockets, though I think later he didn't really care (which does suggest the improvements spread to both parts).
6EU7 (~~1960) is a 12AX7/7025 prototype but with heater-pins moved well away from audio pins. From heater there is a gap and then a cathode (least likely to absorb hum). It avoids the ugly 4+5/9 spread of 6V 12AX7 heater wiring. It was popular in some hi-fi and PA work, but not all designers adopted it. If facing a 6EU7 hole, you can rip the wires off and re-wire to take 12AX7/7025.