I've come across multiple discussions regarding "nasty" distortion from a cathodyne PI. Saw it on scope with my Princeton Reverb several years ago. Solutions include a big grid stopper on the PI and/or fixed bias for the cathodyne.
Merlin Bledsoe advocates a 100K - 470K grid stopper
Valve Wizard. Others report good results with this.
Guys also comment that the 5E3 circuit isn't "pedal friendly" because the PI can distort in a bad way before the power tubes when you put a dirt or boost pedal out front. So a Pre-PI master volume seems like a good way to balance preamp and power amp break-up points. Rob Robinette offers this approach:

Looks like a simple voltage divider. However, as the volume is rolled down, the grid return resistor value goes down while a larger grid stopper is introduced. IOW at max volume, you have the stock circuit but there are multiple things happening while the volume is turned down.
Looking at this drawing, does Option A retain the stock bias for the cathodyne or is the grid return resistor now effectively 1.5 meg?

Option B leaves the bias alone and inserts a 500K grid stopper. But does it also attenuate the signal going into the cathodyne grid by 1/3? (1meg / 500K + 1 meg)
I thought that a master volume control which maintained stock bias, at least at max volume, and had the maximum grid stopper value at max volume would be good. So I came up with this idea:

I do not know whether or not the resistor between the pot wiper and the cathodyne's cathode network should be 1 meg or 500K to maintain stock bias of the PI at max volume (wiper to the left - Option A above).
Guys over on the Music Electronics forum tell me that this control would have very little effect on volume. Unfortunately, I still do not understand WHY.
I greatly appreciate any insights you all can offer.
Respectfully,
Chip