> I wont forget this next time i run into this type of PT.
TIP: when you scavenge a PT, grab the rectifier also, or at least a precise copy/sketch.
There's several ways to do windings and rectifiers. If you mix & match, you often end up at half or TWICE the designed voltage, and way-off from what that PT can handle with any likely tube and OT set.
Yes, pre-1965 "all" amps used bottle rectifiers. Cathodes are expensive. The bottle was a dual common-cathode rectifier. This forced the PT to be 50 cents more expensive (more turns, 3rd wire), but far cheaper than adding cathodes and heaters.
By 1965 Silicon diodes were practical and affordable but Fender was not re-speccing their PT orders just for that. (Anyway the early Si were not outright cheap, so a 2-diode plan was still sweet.)
Also in that period: high-Voltage diodes cost more. There is a Doubler with one winding, 2 diodes, and 2 main caps. Diode and cap voltage ratings are less than full voltage, so the total cost was sometimes favorable. This plan also gives a half-voltage output, useful in some huge amps. Bogen did a few. One of the SilverTones stacked several Doublers (musta had a crate of 100V diodes and caps).
There is much drag on g-amp design and even new designs lean on the old CT and 2-diode plan.
When diodes are cheap, one winding and 4 diodes is less overall money. A true clean-sheet design would explore that first.
The 4-diode bridge *with* a CT again gives a half-voltage tap, handy in big amps and (in Fender) a 1/4-power mode.
With so many options, differing very little in chassis but a LOT in final output, you really need to steal the rectifier along with the PT. Since you really took the full PT and OT set (and presumably similar final tubes), whatever worked in the Bassman 10 should be fine for the AA864 (+/- a few Watts).