While nobody can exactly know what another means by "good metal/down tune tone" it's my opinion that the greatest mileage comes from additional gain in the preamp stage. Obviously, you cannot get the kind of speaker driven effects of standing in front of a Marshall stack with a 12" combo amp sitting off to the side on the floor. I stated in another thread that at one time I had added just a simple extra gain stage to a stock Princeton Reverb. Just 1/2 a 12AX7 in a straight-ahead copy of a Fender gain stage and thing turned into a complete brat, really on the edge of feeding back on almost every note and with a very aggressive tone. That amp had been hotrodded to dual-6L6 power with transformers swiped from a Dynaco Mk IV (dual EL34's in its stock config) I was pretty much trying to clone an original Mesa-style amp and wanted a controllable-gain stage in between the fairly normal preamp and the fairly normal output section. Well, it worked.....as long as I controlled the "mid" gain to about 2-1/2!
So to me, since you cannot hear a schematic diagram, the smart way to come up with what I think you are talking about would be to select a range of output power based upon your requirements for what sized venues you use the amp in and how many speakers you think you'll want to drive, and just build whatever you decide on with room for and a socket installed for one extra 12AX7 (or other) tube and an extra hole in the front panel for a control. If you never use it, big deal. This is on the assumption, perhaps wrong, that you are looking to experiment some as opposed to finding, auditioning, and copying an existing design.