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6CL6: This tube can be very sweet and easy in its presentation, it gives the impression that it plays music effortlessly. It is articulate and detailed but not as much as other pentodes, which could be a good thing. It has very good instrument separation abilities, and is dynamic. Compared to some pentodes it can sound soft, and polite in its presentation. If the output transformer primary impedance is too high, it can sound aggressive and perhaps a tad harsh, but never super harsh. The largest downside to this tube is its small size and thus it power output abilities, but it can be operated above its rated maximums and this does not seem to severely limit its life expectancy. I have tried at least 10 different brands, and some are more articulate, and others sweeter, but in general the above is the way they all sound. This tube will typically give you 2 to 3 watts of output power in pentode mode. This tube is also very forgiving in its impedance matching as well. The strong point of this tube is that it lacks nothing to any great degree. It does nothing exceptionally well but everything on an equally high level to where it is one of the best over all balanced pentodes made. It makes a great Spud amplifier because it will reach full wattage at less than 1vac of input, with no feedback.