Thanks for posting that Doug! I was starting the feel a little depressed!
Yeah...I was actually starting to feel bad for him.
That was a great, powerful performance of a song that has been taken for granted due to the simplicity of the opening riff...it's became a bit of a joke like Stairway to Heaven and other phenomenal rock songs that will never be duplicated or matched in our lifetime.
The wall of keyboards mixed with RB's cutting riffage is a recipe for true rock magic.
Great to see someone captured it that clearly.
I'll give ya this one.
First I would like to say the damn riff is not played on open strings. I have argued this to so many guitar players knowing as I have watched. Simple Riff, the good ones are. Just like Satisfaction by the Stones or Walk This Way by Aerosmith. And while I am at it, during the verse the guitar plays an arpeggio from G to F and and only plays f once.
It is a simple song, until you break it down and listen to what each member plays. During the main solo there is one portion that changed the way I play forever when I was young. There is the perfect chord change to C and Blackmore changes his note selection and instantly you are carried in a new direction and the phrasing changes up to the point where he bends and holds to what seems like forever. Incredible tension to finally a release and resolve.
Neal Schon does the same idea during the main solo in lights.
I have heard a lot of people laugh at Smoke on the Water and its simplicity, but I can assure you if you took the time to learn it correctly you wouldn't feel it simplistic.
I am using the word you as a general term. I not rebutting Silvergun.
Most of old rock is a derivative of Blues, but I have to say Deep Purple sort of doesn't fit within the blues.
Keep on SPACE TRUCKING"