Tony Bones said it already in his last post - There are many permutations. The main reason people get finicky about grounding is to eliminate as many sources of hum/noise as possible (recognising that there are also sources of hum from factors other than grounding). Reflecting on Merlin's article, I think the main things to take from that are (if not using a single 'star ground' for the entire circuit), then:
1) Keep the respective ground returns from each different part of the circuit as close as you can to the ground return for the (respective) filter cap/supply node that is supplying those parts of the circuit (i.e. 'galactic' ground returns); and
2) make your sole chassis attachment point for a ground buss bar at the input jack(s), and keeps the input stage ('low-current') grounds close to this: and
3) keep the reservoir cap (and screen supply node cap) grounds, and the output tube grounds (and any PT centre taps) close together at the other end of the buss bar. (These are the 'high-current' ground returns)
If you're using a buss bar, these concepts will help reduce micro-rises in ground potential (that can occur differently in different parts of the ground return path/circuit). Electrolytic caps are not perfect shunters of AC to ground because they exhibit a certain amount of ESR (and therefore, where there are higher voltage swings, there are more likely to be a higher 'pull-up' of ground potential) that can produce 'micro-wobble' in the ground return path, which can cause 'cross-talk' in other (more sensitive) parts of the signal path where it is not wanted.
However, as long as your grounding isn't abysmal and your build is solid in other respects, its all a bit anal-retentive because you can't hear much in the way of ground loop hum when you're playing your guitar through the amp. It's mostly only mildly annoying in the quiet moments (between loud thrashy metal chords LoL) when you're mic'ing your equipment through a PA, or trying to do a recording and get pee'd off by the noise floor.
YMMV