Hi all,
New to the site. Great stuff!
I wanted to get some clarity on something ... I'm getting ready to start building a Fender 5e5a circuit onto an old radio amplifier chassis I have. My plan is to add tremolo — I was hoping to use the circuit from the 6G3, which requires half of a 12ax7.
The chassis I'm using has three nine-pin sockets and no room for more (same as stock 5e5a), so in order to make the 6g3 tremolo circuit work I was planning on taking out the normal channel. That would free up half of V1 for the tremolo. Perfect??! Or so I thought.
I've seen a few posts here and there that using a bias-modulating tremolo like that on the 6G3 isn't ideal in a higher powered amp, and that pretty much all use signal-modulating tremolo (which from the circuits I've seen requires both halves of a 12ax7).
If this is true, then I'm going to have to rethink the amp design because I don't have space on the chassis to add another tube.
So, my questions are: Why won't a 6G3-style tremolo work on a higher powered amp? Too much stress on output transformer? I know just enough to be dangerous and am not second-guessing engineers; I would just like to understand the reason.
And second, can anyone recommend schematics to use for a Fenderish push pull 6L6 amp with tremolo, using a max of three nine-pin tubes? Only one channel necessary.
Who knows, I might ditch all of this entirely and build a Supro Thunderbolt on the chassis

Thanks!