Guys, I posted this on the Amp Garage also to see what the Dumblish cloners think about the idea. Since some of you are familiar with Dumble clones and have built one, I thought I'd post the idea here also to see what you think?
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I will own up front that I've never built a true Dumble clone. I've stolen/borrowed lots of Dumblish ideas building the Tweed BluesMeister, Carolina Overdrive Special and Tweed Overdrive Special (EL34 World schematics). (Those are all cathode biased amps) Not being a purist, I spend a lot of time pondering new ideas in these amp designs.
So one of the things I've noticed over the years of reading TAG and the Dumble forum, is the comment that "it's a compromise" in these amps with either having the clean being fabulous tone or the overdrive being fabulous tone. And at times, posters have mentioned the Fender clean tone as being a tone value that they hold as a reasonable standard for clean tone. And that getting both the clean tone great and the overdrive great is somewhat of a challenge at times.
So, I was thinking maybe there is a way to have the clean tone be more Fenderish & then switch to the overdrive tone be more Dumblish?
That led me to look at the tone stack and consider a hybrid approach with relay switching. So, if the midboost is R1 (relay 1) and the hybrid switch is R2 and we labeled the clean to overdrive switch as R3 ……………………
Then one possibly could have R2 and R3 switch simultaneously. :?
I acknowledge that the slope resistor would be different (68k Fender vs. 100k Dumble). (Although, I think D-102 has a 68k slope resistor). And the bass pot on Fender is 250kl vs. Dumble 500ka. And the treble cap on Fender is 250p vs. Dumble 326p (when midboost is off).
So, there are differences & perhaps those would negate trying a hybrid approach? Having said that, I am thinking this hybrid idea could get the clean tone closer to a Fender clean tone? And maybe close enough to have the idea be worthwhile?
So, the idea would be the Fender inspired side of the hybrid tone stack in the clean mode. And then when R2 and R3 are switched simultaneously, then the overdrive would be using the typical Dumblish values? OR ………….. someone might prefer not having them switch simultaneously to have even more tone options?
One question I have is if the 4.7M resistor to ground in the mid pot area is needed? I simply copied what was done in the treble topology of the D-style tonestack for switching.
Thoughts?? (I attached an ExpressSCH schematic, if someone would like to edit the idea and revise it).
With respect, Tubenit