so, math says in ideal 1/2pirc, but the real world's never ideal 
There was a very smart man on the Aussie Guitar Gearheads forum, who had a signature line I really liked: "If theory and practice don't agree, you haven't used enough theory."
That simple 1/(2 pi R C) formula works perfectly for a single RC high pass or low pass filter. In the real world, if you use a 1% resistor and a 1% cap, and put them between two op-amp buffers, the real-world frequency response will be within a couple of percent of the theoretical 1/(2 pi RC) formula, over the entire frequency range which the opamps handle well.
But a single resistor and a single cap isn't what we have at the cathode of a triode gain stage. We don't get a simple high pass filter response. Instead, we have a shelving filter, which has *two* corner frequencies - flat at very low frequencies, flat at much higher frequencies, and with a sloping "ramp" connecting those two flat regions. This is because there is more than one resistance involved: not just the external cathode resistor, Rk, but also other invisible resistances inside the tube.
What matters isn't Rk, then, but rather (as PRR said earlier), it is the resistance "seen" at the cathode if you measured it. This is a combination of the external cathode resistor Rk, the internal cathode resistance (same as 1/gm, sometimes called rk), and in the case of a triode, also on external *anode* resistance Ra (aka Rp), the internal anode resistance ra (aka rp), and the mu of the tube!
With a 12AX7, for instance, if we take the nominal mu of 1600 microamps/volt, then the internal cathode resistance is (1/mu), or about 625 ohms. This is not ten times bigger than the typical 1500 ohm external cathode resistance, nor is it ten times smaller. That means we can't just ignore one resistor when calculating corner frequencies caused by the cathode bypass cap: we really have to include both resistances, and that means a considerably more complicated formula than just plain old 1/(2 pi R C).
These days it isn't hard to use a computer to simulate the frequency response, but if we're talking about guitar gain stages which have already been built thousands of times before, why bother? I only bother calculating if I'm using an oddball tube that nobody seems to have used for a guitar amp before, which might need rather different external resistors and cap values to produce the desired frequency response.
And it's really nice to have an actual frequency response measurement, if only to confirm that we have, in fact, used enough theory...so just recently I splurged some fifty bucks ($CAD) on a Syscomp CGM-101 (
https://www.syscompdesign.com/product/cgm-101/ ).
That must have been a closeout deal, as the CGM-101 seems to be gone for good. But it's pretty much exactly what I wanted - eleven bits of vertical resolution but a small 200 kHz bandwidth, useless for today's fast digital circuits, but pretty much what we want for audio measurements. 11 bits of vertical resolution is much better than the somewhat-affordable digital 'scopes like my Rigol, which only has a rather pitiful 8 bits (256 steps) of vertical resolution, but has far greater bandwidth (which is useless for audio.)
I cannot vouch for it's accuracy, but there is an online cathode bypass cap calculator here:
https://www.ampbooks.com/mobile/amplifier-calculators/cathode-capacitor/calculator/The attached image shows the result of running that calculator on a half-12AX7 with a 1uF cathode bypass cap, and the usual 1.5k Rk and 100k Ra (aka Rp). As you can see, it's neither a high pass nor a low pass filter, but instead, a shelving filter with two corner frequencies.
-Gnobuddy