first decide how much output Gain you want from the device. If you want to be able to plug this into the power amp of an Ampeg VT-22 (example that has a power amp input) you need lots of gain, so omit any resistors between treble pot output and output jack.
If you want to use this device to like a boost pedal in front of an amp plugging into the instrument input, then plan for whatever gain you want, +12dB ? +16dB?
If you want to feed a board in a studio, maybe up to +15dB to +20dB?
When I do this, I feed the preamp with a signal generator with some set voltage, like 100mV, the use an o-scope to dial down the output to whatever I'm going for. see image below. Max gain to send to power amp optionally (tube is specified, a SS power amp doesn't want this much gain!) Then R1+R2 is a voltage divider to The size of both depends on the max gain you are trying to attenuate. maybe it would be R1=470K R2=250K, or 47K + 100K pot.

If you use that extra triode as a CF output, you can use smaller value R1 and R2.
don't forget to pay attention to high pass filter RC networks when selecting R1+R2 total value and preceding coupling cap if you go the CF route. In the case below, I used R1=47K and a fixed R2=10K. For 12AX7 level gain, you'd probably end up with a 10:1 divider. This particular one is a B15 preamp so 6SL7's gain is lower hence the 6:1.
also, output jacks are Power on top and preamp on bottom (image is cut off) The power amp could be plugged into a tube B15 power amp. the pre-amp is to send to another amp, or a mixing board (motu ultralite in my exact case -- also, a better location for the NE2H would be on the 120V mains, but I built this into a small enclosure and using the mains was not so convenient)

One last thought. this one above has an unused 12AU7 triode (to the left, both triodes in the 6SL7 are used ala B15). Don't fall into the trap of over complicating your circuit just for the sake of using the triode. I've done it before, and its just not a great idea.