I just finished building a nice little 2 watt amp from a 1952 Travler 5170 clock radio. After using my magic shoe horn to get an isolation transformer and properly impedanced output transformer for an 8 ohm external speaker in there, it was all downhill. Well sort of. There were a lot of firsts...for me, but it went excellent & I learned a lot. I used the radio's 12BA6 IF stage pentode for one input and its 12AV6 detector/AF pre-amp triode for a second input. Fantastic amp for clean work. If anyone is interested, I can post sound samples. Triode is best for clean tele to rockabilly crunch and the pentode was just heaven for acoustic guitar. I used the pentode's data sheet and graphs to calculate design values and came up with what appeared to be a sound design. Then, I began researching circuits similar to what I had come up with to cross check my work with the experts of old. What I found as the closest examples with available YouTube sound demos were a Vox Student V5 and a Kay 703c. Both in the general "Widow Maker" series filament class of amps just like the AA5 radio I was converting. Looking at the component values of those amps and trying to apply the data sheets to validate those designs, I discovered the bias currents were anemic and the load lines were way in the basement off the charts. My design values were vastly different. I confess due to time constraints to deliver the amp, I caved and applied the Vox circuit values as the 12AU6 characteristics are very similar to my tube because the demos I heard were just what I was shooting for. I'm very happy with the results, but I'm still in the dark regarding designing for great pre-amp pentode tones, clean primarily. I am planning a "tube warmer" mic preamp project for studio work. The plan is one input into 3 tubes - 3 signal paths 1) a pentode likely a 6SJ7, 2) a dual triode 12AY7; 1 cathode biased triode and 1 AC cathode follower and 3) a DC coupled cathode follower each path selected for different non OD harmonic character to be mixed to a single output for a variety of harmonic colors. One of the holy grails of vintage tube preamps is an RCA OP-6. There are those pentode stages with crazy off the charts design values again. It looks like they are running the tubes way in the curve near cutoff. I need to get to the bottom of this. Can anyone help?