Hi All,
Almost finished with a project that has been languishing for a while. It is the chassis and iron from a Hammond 63 organ amplifier that I've converted to (more-or-less) the schematic of an EF86 Matchless Clubman. Others here have used these chassis before with success and I thought I'd give it a go. Unlike the original I used a Lar-Mar master and an ECL82 pentode/triode for both sides of the reverb driver. The latter is quite strong and I keep dialing back the dwell trimmer. A capectomy might be coming there too. Don't know that I'll ever use the loop.
I kept it point-to-point but stripped everything inside. To cover holes in the wrong places I had aluminum faceplates milled to receive the vinyl skins. Had to punch a couple holes for newer canister caps and a reverb tube. The LC filter setup remains as it was. To my surprise, the voltages were knocked-down very close to those shown on the schemo -- most right on or within 5%. I ran A/C through the output transformer and got an impedance ratio of 761:1. For a four-ohm cab that's 3k which was close enough for a pair of EL34s. My only 4R cab has a Scumback H55 and a Celestion 12-65.
The amp is quiet. There is a huge difference between the hi and lo inputs. The tone controls are very sensitive. The amp is very bright. I haven't brought it upstairs yet because I suspect that bright-cap on the volume pot is a goner. I may also increase the Brilliance cap. That depends on me dragging a couple guitars into the shop. I keep an Epi Les Paul Junior down there. It is exactly the wrong guitar for this amp but perfect for testing because it bleeds with every bit of EMF, fluorescent flicker and soldering iron hum. If I can make that guitar quiet, the rest will certainly be better.
The cab is Peruvian walnut and the face is Morado. Nice stuff. I use if for fingerboards. Doesn't take Arm-R-Seal finish very well though. Bit of history there.
At any rate, hope you find this interesting and good luck with your projects. Skip