I'm going to throw something in here for consideration, since the article mentioned the OT being a 2 ohm unit & the EVM-15L being 8ohm..........maybe you would want to add the ability to purposely mismatch the output (?)
To support this, I'll give personal experience (and at the same time testify to the extreme toughness of the old Fender amps.)
I had a 1969 "drip-edge" Super Reverb (Silverface, but I suspect it was BF circuit) when I was 18 years old & playing in a glam-rock band back in the 70's. Bought it from an old lady's basement sale for $50.00, put new tubes in it & hit the road....no biasing, no stinkin' tube matching..just cranked it up & played.
Wanting to give the soundman maximum control over the mix out front, I disconnected the 4x10's & ran it into a "monitor style" closed back cab on the side of the stage that had a mic stuck in front of it. The monitor was loaded with an EVM-12L / 8 ohm.......yes, a 2 ohm OT into an 8 ohm load.....wide open (ALWAYS wide open), as that's how it sounded best. I'd just rake my hand across the controls & max everything to "10" (except the reverb & trem, of course).
That amp was the BEST sounding rock amp I have ever played! I played it @ hundreds of gigs, it never failed me, and (being the stupid kid that I was) I never even had a backup amp!! That poor 2 ohm OT must've HATED me! (but she never gave up the ghost!)
Anyway, a multi-tapped OT (very beefy, of course) may be another "mod" that would allow one to fully explore all the tonal possibilities of this amp....maybe 2-4-8 ohm(?)