The Princeton Reverb is a classic circuit. It’s fine as is.
But, my understanding is that these were built to
as-cheap-as-possible-yet-passible-tone requirements and, thus, BoMs. They struck lucky and their popularity shows that. However, there are mods people do to make them better, and components added in the reissue to make them safer / more suitable for the modern era.
Inspired by Merlin's new book, given cost is no barrier to a DIY clone of a Princeton Reverb, what circuit refinements would you incorporate?
I don’t care about aesthetics / period correctness on the inside. I do care about safety / good engineering practice and, ultimately, the classic PR sound.
Given the constraint of using a ‘traditional’ turret board from a kit, I was thinking:
- MF resistors instead of CC
- bleeder resistor added
- reduce post-PI coupling caps to 0.022uF or 0.047uF
- add 470k stopper to PI
- adding stoppers to grid and screens on the 6V6s
- using a red LED for the tremolo oscillator bias
- add protection resistor on the speaker jack
- add variable bias (and balance?) control
- do my best to ground things appropriately, even if it means running short lengths of wire to connect the various star groupings, and connecting only to chassis at the input jack.
The PRRI schematic has a bunch of these things done already (diodes here and there for protection, fuses, e.g.). I don’t want to go overboard as that would complicate the pre-made turret board.
Have I gone overboard? Not far enough? Destroyed the mojo?