Hi !
From time to time I get asked to add reverb to a Fender tweed Bassman or "classic" Marshall amp.
Of course, as little coloration of the dry signal as possible is wanted.
Lately, I've been working and experimenting a little on this subject.
I thought maybe my conclusions would be of interest...!
I've tried foldback reverbs, but I think that it's good to have a little more reverb on hand than you can get with this method.
I've also tried the cirquit found in Doug's library pages ("Adding reverb to a Western Electric cirquit"), but I wanted both a little more dwell and reverb level than what I got... plus that I think that the drive offered by a 12AX7 half sounds rather thin...
Of course, it would sound better if you used a full 12AT7 like on the stout reverb, but as mentioned, i wanted the possibility for more dwell and to be able to have the reverb louder in the mix....
After a bit of experimenting, I've ended up with this cirquit:
http://www.triple-t.no/tore/gmf/t-add-reverb.jpgThis cirquiet needs the addition of two extra tubes and a reverb driver transformer, but you get a reverb that colors the
dry sound of the amp very little, and you have reverbs from subltle to beyond dick dale levels on tap...
The cirquit also adds very little noise to the amp. It was no trouble finding space for the cirquit in a standard Marshall Smallbox - type chassis. I built the cirquit on phenolic component strips. I placed the tubes and tranny on the rear face of the chassis... This will place them hanging like in a Fender, as the chassis goes into a bluesbreaker type cab.
I can take tome photos an post them if anybody's interested...