Your innovation changing the circuit is impressive, IMO.
well, thanks, but the innovation was really lifted from all the drawings in the original thread and a blindingly :o close look at the 65 chassis pics (thanks for the link, tremolux). Also, the boost is familiar looking, as in "raw". The additional tone control does the same thing as da Geezer's treble bleed cap does, but it's adjustable. THe power supply and LED for the footswitch came from the Library.
Sonically, its biggest variation is the BF tonestack. I thought it would suck some of the mids and leave more room for the boost to stick out if I really want it to. I left out the smoothie caps. That's about it. Both builds can sound very much alike - love 'em both. The character of the 5879 is all there. I really dig the footswitch though - the relay is spec'd for a mechanical life of 20,000,000 operations, so at least I've got half of that left!
speaking of innovation, what still has me stumped is the 65's master volume. I used a 1m crossline with spst. As Heinz pointed out, this neuters the bass the lower you set it.
So here's my take on the 65 MV from what I can see in the pics. It is a dual pot with two different tapers, one that is tapped. One of the tapers goes to the CF and the other to the PI (probably just like the "trim" control in the HoSo56). But what could be going on the CF side? Varying the 100K at the cathode to some other value, putting more drive to the tonestack, while simultaneously subtracting a larger corresponding amout at the front of the PI as the master is turned "lower"? Any other ideas?