Bias Adj is set to give 0.050V (50mV) across the output emitter resistors (here 0.27 ohms) with no load nor signal. The danger is that slight mis-adjustment of Bias Adj will give WAY too much current and melt the outputs. I would start with Q15 Q16 disconnected, adjust to find where voltage on Q12's 4.7 ohm resistor goes form zero to 0.050V or 0.1V, set back to nearly-zero. Now when Q15 and Q16 are installed, the 0.27 ohms will show about zero. The amp will work this way, but "hoarse" on small signals. Carefully sneak Bias Adj for the 0.05V on the 0.27 resistors.
DC Bal is simply set for zero V DC output, no signal no load. This type circuit should not need this trim, but they munged it. Or were using old-world thinking on this balanced-pair design. On a guitar amp, I would not fret about 0.1V residual DC on the output, It sure won't affect a guitar speaker.
This amp has -NO- protection against shorts. Anything bad happens, failures cascade from output into the Q10 Q11 stage.
It does have dual feedback. The output impedance is not dead-zero like many SS amps. In fact it may be as high as 50 ohms, "no damping" by hi-fi standards, and very slight damping by guitar-speaker standards.
Neither output jack may be grounded. Which means 1/4" plugs are a bad idea (the exposed shell is prone to be grounded). Of course there's no alternative to 1/4" on stage-amps.