> for pentode mode which is after my choke but it's still 565VDC.
That was always "in excess of specified MAX".
Ernie says it works for him, and I believe it.
Do keep ~~1K resistors in series with the screens, all modes. They won't have much effect in normal operation, but allow a little "give" in abnormal conditions.
> I understand a triode connection should produce more even order harmonics
It's a push-pull amp. All even-order distortion essentially cancels.
Triode will damp speaker-flap, but won't make a lot of power.
Pentode will make a lot of power, but does not damp the speaker.
UL is the in-between. It has some damping action on the speaker, and nearly as much power as pentode. And some other benefits not real useful for a stage-amp.
The classic Rock Guitar sound is NOT highly damped. Many early amps were naked pentodes, and speaker-flap was selected to complement the dry tone of a raw steel string.
The classic 1960s Fenders had "light" speaker damping via a NFB loop from speaker to driver. The early Marshalls were similar but with more damping. This difference may not have been so much philosophical as practical: some speakers "need" more damping than others, especially at high power. And there is always a "need" to have a "New for 1962!!" sound... speaker selection and damping factor can give an amp which sounds different (and perhaps "better") than your sloppy old 1961 amp. Like tailfins on a 1956 Plymouth. Gotta churn the customers and make a profit every year.
Bass amps use less speaker coloration, and often need good damping to control speaker slap.
> how good this thing sounds in triode or UL mode.
It seems like your speaker and style "like" damping. At this power level, that's very reasonable: 150+ Watt shocks will make a cone quiver for days if the amp does not suck-out the excess energy flapping around. There's other ways to do this, but if you are liking UL then go with what works.