> 10 amps and 1millihenries & 450v.Would it be ok to use in a guitar amp?
In audio-tube-world, 1mH is about as good as a scrap of wire, but less convenient.
Choke impedance is (ideally) Henries times Frequency times a 2pi to make Hz into radians (don't ask). 2Pi is equal to 6 for most purposes.
We have wall-hum at 50/60Hz, guitar low-note at 82Hz, wall-buzz at 100/120Hz and higher. Take "100Hz" to make the figuring easy.
1 Henry at 100Hz is 1*100*6 = 600 ohms.
1 milliHenry at 100Hz is 0.001*100*6 = 0.6 ohms.
10 Henry at 100Hz is 10*100*6 = 6,000 ohms.
Tube impedances are generally 1K to 100K. In a 1K-100K world, we expect 600 ohms stuck-in to change the situation slightly, 0.6 Ohms to make hardly any difference at all, 6,000 Ohms to actually Do Something.
Indeed 10H is the inductance of a good SE OT or power fiter choke, and 1mH chokes don't appear around tubes until we get to radio frequencies (0.001H*10MHz*6= 6,000 ohms, and 1mH chokes are used as plate-loads in SW transmitters).
1mH is also useful in the car. Sound system pulls 12V and 8A, a 1.5 ohm load. Alternator whine is up above 200Hz. 0.001*200*6 = 1.2 ohms at 200Hz, 2.4 ohms at 400Hz, 12 ohms at 2KHz, etc. Relative to the nominal 12V 8A 1.5 ohms, 200Hz whine is less and higher whine is much less.
> what the 'Henries' do for tone?
The general idea in power supplies is to filter hum/buzz. More is better but costs more and has more DC stray loss. Fender 4H versus Marshall 40H is probably about what each guy thought best and what price he could get it at.
The choke, like a cap, is also a storage tank. The combination of choke and cap is a bouncy storage tank. Computations are possible, but you may not be to that stage yet. And knowing numbers does not tell "tone". Cheap enough to try.