The reverb circuit looks almost identical to tubenit's one tube reverb circuit.
That's what I thought as soon as I opened the schematic... And except for some possible precedents out there in budget amps, I felt like the designer might have gotten the idea from Tubenit on this site! Oh well, there are plenty of lurkers picking up the cool ideas...
I just recieved the schematic directly from Gibson. I hope you guys can take a look and see what's up with the reverb. The R&D dept. said just to add a 3 spring short tank instead of the 2 that's in it. What do you think?
Tubeswell said it. The
amount of reverb is more about how hard the tank is driven (but this design is driven as hard as it can be without a tube change) or how the mix knob is set (Reverb pot on this amp). The
quality of the reverb is what a tank-change will often get you.
I personally like a tank called "6-spring" with medium delay, which is really a tank with 3 springs inside. It sounds more lush to me than a common "4-spring" tank (really 2 springs inside, but each spring has an eyelet in it about halfway, and is 2 delay lines made of 4 total springs). The typical long delay 4-spring Fender tank will do surf better than my choice, but to my ear the medium delay 6-spring tank is a more natural-sounding reverb (as natural as springs get, anyway).
... only tried it out as a stand alone reverb unit for my Musicmaster Bass amp which is my intentional use for it. Are you actually playing bass through that Musicmaster amp?
You do know that the common feature of all guitar-amp reverbs is that low end is seriously cut off going into the drive circuit, because lows wind up in a rolling, muddy mess when hit with reverb. So if you're playing bass through this, you may be losing all the incoming signal in the small caps feeding the reverb drive circuit.
I asked because I haven't played one of these, and don't know if they typically sound anemic
with a guitar...