Doesn't anybody have a crayon?
Draw the WHOLE CIRCUIT.

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150K as the lower legYup, 470K||220K = 150K.
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the Miller capacitance of the following 12AX7 gain stage. It occurs to me...Yup. Use "100pFd" for rough estimates.
Untangle Fender's ziggy drawing. Extract the essentials. I include the ~~39K of the stage before, but compared to 3Meg that's nothing. You can look at the stage driving the 470K, but that works out to 154K at the node, which is beneath notice.
At DC and low frequency, we have 3Meg to 150K or 20:1 ratio. (Actually 23:1, NBD.)
At infinite frequency capacitance trumps all. 10pFd and 100pFd is 10:1. (11:1 on a sharp abacus; it may really be more like 140pFd of Miller plus stray capacitance in the long wire or 15:1.)
20:1 at low frequency and 10:1 at high frequency is significant but not a lot.
Where is it?
A full *exact* analysis of this is tedious and not necessary. Take each leg separately.
3.3Meg and 10pFd is 5KHz.
150K and 100pFd is 10KHz.
So "nothing" happens over the fundamental guitar band (80Hz-2KHz). Without the 10pFd response would droop above 10KHz. (Possibly as low as 7KHz.) Fender's habit in this time was to design for flat response far past 5KHz.
To compensate just this section you would use about 6 or 7 pFd. Odd value. Over-compensating with 10pFd gives a rise which cancels some of the droop in the many other stages of this amp.