I'm not french or english but i can speak both languages. There might be some mistakes but here's what i can come up with when i translate the PDF:
Teppaz is mostly known for it's record players, but is also a maker of PA equipment that has amplifiers and soundsystems. But they don't have a range as big as Bouyer.
We think it would be interesting to see what goes on inside a Teppaz amplifier. We chose the 730, a 30W amp that is relatively new (1957), that over time had a number of improvements. The 730 also exists with an integrated record player.
The philosophy that preceded the design of this device is different to what we saw in the Stentor range made by Bouyer. The increased value of the plate resistors in the preamp stages, R11 for V1 and R16 for V2, permits to get the maximum gain of these tubes. The decreased bandwidth is compensated to a certain point by the network R17-C11 that brings out the high notes. It precedes the passive tone control that is made by the network around P7 and P8.
The use of the ECL82, V3, is a bit special as it is a cathodyne phase splitter stage. This stage adds no gain, but has the advantage that a driver tube or interstage transformer is not needed. All this contributes to a reduced number of tubes needed. The low value of the bleeder resistors (R29-R30) avoids the use of grid stoppers and provides a certain stability for the power tubes (V4-V5) that could be touchy with their 11mA/V.
The use of a switch to change the output impedance means that this device has to be very good quality. But it also has an original way of protecting the OT with the bulb V7.
It is worth mentioning that the CT of the OT primary is connected to the cathode of the rectifier, but the first filter cap (C26) is connected after V7.
In case of severe overload, the energy stored in C26, is released only through V7 and it can be assumed that the filament will break. This really is the weak point of using a bulb as protection, but the stress this will put on the OT should be small. The current available at this point is not continuous, but a pulse at 100Hz and its the filter capacitor C26 that reduces the apparent internal resistance. (the note on the left side sais that you can provoke arcs in transformers, as long as they are weak enough. This way you can also find the breakdown voltage in a non destructive way.)
the 730 also has an optional upgrade to amplify the sound of film tapes. Teppaz has also made poweramps powered by batteries where the B+ is generated by a converter.
the characteristics:
bandwidth, output power, working power, distortion, mic input sensitivity, PU input sensitivity, range of controls (bass and treble)