Hey guys,
I finished building my custom 50 hiwatt head and holy smokes this thing is cool. It certainly adds a nice tone to my collection. I love the hallowed clean tone and I also like how it breaks up when pushed LOUD. I will be experimenting with different speakers and cabinets over the next few days or weeks. A few months ago I was able to purchase two original Fane speakers which will hopefully be a match made in tone heaven. I'm gonna wire them up and try them tomorrow.
This amp powered up without any issues and is extremely quiet in operation...I had to double check it was even on and connected to speakers...
turns out there is an issue... See below.A little story of this amp...
I had several hiwatt sized chassis made for me a while back and have been using them on my personal projects. I built an ac30 (hoffman style) with one of the other chassis. A while back I had a customer ask me to finish building his vintage hiwatt restoration custom 50 kit...I decided at that time I would build myself one as well. The reason this guy wanted a hiwatt is because he showed up to my shop when I lived in UT while I was testing a vintage hiwatt after servicing and he loved the tone I was getting. So did I.
This amp was built from scratch. I followed the dr504 layout on Mark Huss' hiwatt website only mine had a few differences. When I worked on that old Hiwatt in Utah I was asked to modify the input so that the normal and brilliant channel vol pots were blended together. I looked it up online and it was a popular mod to this amp because the triodes of v1 are in phase and thus the mod works well, no phase cancellation happens when the signal is sent to both v1a and v1b equally. I really liked this function as it allowed a nice blend of the beefier normal along with just the right amount of brilliant shrill. This is why I have only one input wired up. I can add another input if I want, the hole is plugged for now.
There were a few more changes to my amp...I built the late 70's two input version. There are a few subtle differences in gain structure and in the PI but they are close to each other. I may experiment with those configurations at some point when I learn the sound of this amp more.
I have telefunken's in v1, v2, v3 and an rca 5751 in the v4 position. I have a matched set of Winged C el34's in the power section.
I began trying to follow the insanely nice Harry Joyce layout but gradually incorporated my own ideas. I didn't want to run a bunch of jumper's under the turret board because I may want to modify or tweak things a little and that is just a pain in the ass to get to if I want to change things so I ran the jumpers on the top of the turret board. I used teflon wire throughout this amp. I did upgrade the bias circuit from the original circuit too, the original was fixed and came in at around 80mA per tube so I installed the adjustable circuit and adjusted for 40mA each tube. The bias pot is held down in the chassis very well with a cool 3M two sided tape that sets like super glue after a day or so. It is secure.
I'll let the pictures do the rest of the talking.
