I noticed a few goodies like the mustard cap near your input, the polystyrene caps. On your output jacks, I can't see the ground wire running from the jacks unless you're using a stealthy bare piece of hook-up wire that I think I can see?
*curious how/what the bright and dark vol controls are?
*I bet running separate PT's for heaters & B+ is helping you as far as noise in concerned?
The mustard capacitor and the couple of "styroseal" capacitors are from a very large quantity of components I purchased about 35 years ago, when much of the domestic Australian electronics manufacturing industry closed down due to the abolition of import tariffs. Unfortunately most of the capacitors ( and resistors ) I have are not suitable for guitar amplifiers. If I had hundreds of .022mfd mustard capacitors, rather than the .22mfd ones, I could almost have funded my retirement.

There is a ground on the output jacks - it's a black wire running from the ground lug beneath the 47mfd electrolytic capacitor to the mid point of the hookup wire which is common to both output sockets.
This particular amplifier is
very loosely based on a Fender 5F6-A, but rather than having separate input sockets for the two channels, there is just one socket providing signal to both channels. The outputs of these two channels are then mixed using the "bright" and "dark" volume controls.
I haven't looked into the noise performance of using two power transformers. In Australia, "real" power transformers for valve amplifiers are very expensive ( limited market, high freight costs etc... ) so low voltage off-the-shelf transformers are pressed into service. The B+ transformer has a 70VAC secondary, so the power supply uses a voltage quadrupler to attain the nominal 390VDC B+.
This particular amplifier build is being fully detailed at Australian Guitar Gearheads forum:
http://www.guitargear.net.au/discussion/index.php?topic=32065.0 The pictures posted here actually pre-empt that build description.
