... Doug's AB763 is not a true AB763. The basic circuit is the same, but he modified it to use a different tremolo circuit. The two extra tubes he mentioned are 6L6s. The AB763 Twin Reverb uses 4 output tubes, while the other AB763 amps only use two output tubes. ...
One other caveat regarding the AB763:
Almost all of Fender's blackface amps from late '63 - '67 were labeled "AB763" as well as by the name of the amp. The ones that don't specifically say "AB763" still carry very similar (if not identical) circuitry. Fender evolved to a single basic circuit, adding or deleting reverb/tremolo, with different number/types of output tubes for varying power, and differing speaker setups.
Where the key changes reside are in the power supply dropping resistors, and the feedback shunt resistor. Hoffman's AB763 gives one set of values, but the exact Fender blackface amp you're trying to recreate may have slightly different values. Be sure to cross-check Fender's original schematic (from the 60's) against Hoffman's layout and parts list to verify correct parts for your particular build.
Also, if you don't want a big, heavy clean amp, you might consider the other amps in the blackface lineup. A Pro Reverb is essentially a Twin Reverb with a half-size output stage (2x 6L6GC), the Vibroverb takes the Pro Reverb formula and swaps 1x 15" speaker for twin-twelves. The Super Reverb is 4x 10" speakers and not typically used for clean tones. The Deluxe Reverb downsizes to 1x 12" speaker and a pair of 6V6 output tubes; it's a good portable toneful package for clean or distortion, as long as you don't need 50w or better. And there are head-n-cab variations of some of these (or you can build your own fave circuit as a head/cab setup).