HBP, could you make a schematic of what you posted?
Are you describing a an isolated ground?
I'm simply suggesting not using the chassis as a wire at any point of the circuit. This might require the use of plastic Cliff-type jacks (or shoulder washer for Switchcraft jacks), and pots which you are sure do not have the contacts electrically connected to the shell. All grounds, center taps, filter cap negatives get connected along a buss isolated form the chassis.
The only wire that connects to the chassis is the 3rd wire of the power cord. That keeps the chassis at zero volts, and keep you safe if some high voltage point inside the amp ever shorts to the chassis. In that case, the circuit breaker back at the service panel trips.
The connection from "circuit ground" (what the upside-down triangle ground symbol really means) to chassis ground is like p. 14 of Merlin's document that Kagliostro linked, except I've used 51Ω
in series with a 0.01uF cap, instead of a parallel arrangement. This is dead-nuts common in pro audio equipment; see for example the Line Input of
this Jensen Transformer schematic.
Well thanks! I never heard of that type grounding lift but I can see where it would be handy to have if you need it.
Have you ever seen someone lop off the ground pin of their 3-wire power cord cause they got hum with all the stuff they had rigged together?
They got the hum because more than 1 piece of gear had a ground pin on the power cord, but the shields of the guitar cables between the gear were also connected to circuit/chassis ground. People cut off one of the ground prongs and the hum stops.
But that ground prong is there to keep you from being electrocuted if there is a massive fault in the amp that puts high voltage on the chassis. So cutting off ground prongs is a no-go.
If instead the interconnected gear has a ground lift like I describe, all but one of the items can have its circuit ground lifted off the chassis ground (and 3rd power cord prong). They will all still find a path to that 3rd wire through the interconnecting cables, but the ground loop is eliminated and hum stops. Further, all equipment still has a solid connection form the chassis to the 3rd prong of the power cord, so there is no risk of electrocution.
There are other ways to do it; Jensen tries to convince you to buy one of their fine transformers to isolate the equipment at the input, because it's probably easier to do that as a modification on an existing piece of PC board mass-produced equipment. They still show the ground lift switch as I described.
If you just plug a guitar into an amp, or use only a couple pedals with batteries or a 2-prong wall wart, you will spend 95% or more of your time with the ground lift switch in a position that connects the circuit ground to the chassis. I know right now in my amp, I get a slight buzz with the circuit ground lifted off the chassis. That said, if I had other gear with its own 3-prong power cord interconnected, I wouldn't get buzz in the lifted position, I'd get a silent background. If I didn't have the ground lift, then I'd get ground-loop hum in the same situation.
In practice, you might not even mark which position is which on the ground lift switch. You'd flip it to whatever setting gives the least noise, just like you did in the 50's-60's with the original Fender ground switch and 2-prong cord.