http://www.freeinfosociety.com/electronics/schematics/audio/univox1221.pdf
I can't get that site to load.
But we have the same schematic in possibly higher quality
right here at Hoffman's.On first glance it appears from a light white powder when I removed the output tubes that there has indeed been and arcing at some point
Arcing usually results in dark carbonized tracks. Whitish powder, especially if on the metal chassis, could be oxidation of metal and is pretty common on older electronics.
Will the Sovtek 5881 WXT work as a replacement for the 6L6GC output tubes in this amp. I've got the 5881's (When I first studied the schematic I thought the 620 volt plate voltage was a typo)
Almost certainly not.
Russian tubes with American-like numbers (6L6, 5881, 6550, etc.) are Russian tube types which are relabeled with number the American market is familiar with. But there is no guarantee these tubes meet those ratings. For example, the
6P3S-E, often relabeled as a 6L6, has a maximum dissipation of only 20.5w (3rd line of numbers on the 2nd page). A different data sheet suggests a maximum plate voltage is 400v.
I'll admit I'm unsure if the 5881WXT is indeed a 6P3S-E, though some information from other here suggest it is. That particular data sheet doesn't seem to give a max plate voltage, but I'd be uncomfortable applying more than 450v or so.
I think you need real old American 6L6
GC's for this amp, unless you completely rework the power supply to drop the operating voltage.
What is the benefit of using the 6AN8 or really, what benefit in the use of the pentode and is that a gain stage or coupling it is being used for?
The style of phase inverter that is being used in that amp provides no gain on its own, so it needs a stage ahead of the inverter to develop a big enough signal to drive the output tubes. Prior to the pentode portion of the 6AN8, there is only a single triode, followed with volume and tone controls. The controls toss away some amount of signal, so the pentode is needed rather than a triode to develop sufficient signal level in a single gain stage.
If you got rid of the 6AN8, you'd now need 2 triodes to replace it, one to drive the phase inverter and another to make up the signal loss of the volume and tone circuits.
The Univox just took a different design approach in using the 6AN8's in the 70's than the approach used by Fender, which was largely set in stone by the early 60's. The 6AN8 was a later development and was used in products by a number of manufacturers around this time.