OK, I promised an honest review of this project. This is my honest personal assessment.
Using my favorite tube amp as an "A+" reference point, I'd give this somewhere between a B to B+ and definitely falling short of an A-.
I do prefer an amp somewhat pushed and hanging right on the edge of overdrive so when you dig in, it definitely has sweet harmonics and overdrives and you pick more lightly and it cleans up. This system will NOT allow you to "hang on that edge" so it's not eligible for anything in the "A" range, IMO.
Does it capture the warmth and touch sensitivity of a tube amp. My answer is yes.
Using 6K6GT tubes with 307 volts on the plates ................. the 100w dummy resistor does NOT even get warm. In fact, it remained cool to the touch even after almost 2 hrs of playing. The 6K6GT tube are probably around 7-8 watts. My conclusion here is the dummy load resistor should be very safe for the amp & now allows the amp to be run withOUT a speaker and using a line out into the speaker emulator.
The speaker emulator surprised me in how well it worked and sounded thru the PA system. It did indeed sound very similar (not same) as a mic'd speaker. The H&K Red Box MK III has a Fenderish combo tone and a Marshallish 4X12 stack tone. I'm not real impressed with the 4X12 tone and found it too compressed. The "combo" tone is reasonably convincing & honestly exceeded my expectations. I think it's possible that someone could think it was a mic'd speaker if they could not A/B it with an actual mic'd speaker? I think I could tell an A/B difference but haven't tried that?
The amp (floor level noise) was very quiet at idle even when being played thru the PA system at volumes much louder then what would be used normally . I was concerned about typical "tube" hiss but it's looking to be a non-issue at this point.
Regarding the amp itself........ I think it has a very warm lush tone and got similar feedback from several band players. The clean/OD footswitch worked flawlessly and will be very useful. The guy I built it for was commenting about relying more on the amps tube OD and less on pedal OD. He was using a LesPaul and the pickups are hot enough that the Normal/Mid-boost switch is fairly useless for the Les Paul but could possibly be a big help for a strat or tele to fatten the tone.
Because the amp has a built in tube FX loop, it will allow the delay pedal to be used after the preamp instead of before the preamp. The Hardwire delay pedal added too much noise in front of the preamp but in the FX loop after the preamp, it was reasonably quiet. It still can remain on his pedal board and be plugged into the FX loop.
This will be used for a few weeks before a final opinion is settled on. Total cost is around $450 for the complete amp, dual footswitch, used H&K Red Box III, and dummy load resistor. A figured wood cab would add maybe $75 in cost for materials pushing the DIY total to $525.
Downside of the system ........................
I like the FX loop dialed in at "5-7" send and "5" level. I think there is a "sweet spot" tonally there. The FX worked best in the PA system settings dialed in at "3" send and "3" level which I think lessens the sweet tone somewhat. Maybe the real sound guy can compensate this in the PA system and allow the levels to be at my preferred settings? I don't know if the amp can be dialed in to hang right on that edge of overdrive to clean?
IF a month or so out, opinions about using this system changes or something emerges as a glitch in the system, I will come back and let everyone know. Otherwise, this will probably stand as"the" review.
IF nothing goes off course, I do think this is a reasonable approach for someone who may prefer a tube amp but still needs a "zero volume" stage. With a 100w dummy load resistor and an H&K speaker emulator, I think amps that are maybe 25 watts or less could be good candidates for this approach.
With respect, 10thtx