... attached is a proven Wreck Schematic. ...
I was looking at something similar when I posted my comments. Specifically, the feedback is 100kΩ to 5KΩ Presence pot, fed from the 8Ω tap of a 50w amp.
Why does that matter? Your current subject amp is a 50w amp, and you're using 100kΩ/5kΩ as your feedback loop, running from the tap to which you've connected an 8Ω load to reflect the correct primary impedance. All that being true, your feedback loop needs no change to operate in the stock manner.
What's important in that determination is this kind of feedback is voltage feedback from the secondary; the full output power of the amp is assumed to appear across a load impedance tap, which implies a voltage input to the loop. The feedback loop resistors then determine how much of that starting voltage is actually applied to the earlier stage.
In both the schematic case and in your "jiggered" case, you have 50w across 8Ω for √(50w * 8Ω) = 20v RMS as input to your feedback loop. It doesn't matter that the tap you connect to is not "the real 8Ω tap" but that with 8Ω connected to that tap, and the reflected primary impedance which results, and given your supply voltage and tubes, you have 50w of output on that tap. If you used a different tap (resulting in a different voltage-input to the loop) or had a different power throughput (resulting in different voltage-input to the loop), then you'd change the ratio of the feedback loop resistances to compensate.
... Describing what I think is a parasitic: no matter the MV & other vol levels (amp mainly set clean) if I barely pluck the low E & A strings I can hear a very small fuzziness aside from the actual note. It's easiest to hear & most noticeable on the lower strings. ...
Good chance it's oscillation. Also good chance of just a bum solder joint or a component with a fractured lead (even not visible because it's just inside the case). A scope or a listening amp would be nice to have in this situation.