I am wondering if those of you who have owned/tried both 68 and 69 Super Leads could chime in with your knowledge. Definitions first; by 68 I mean the type with the filter caps under the chassis (typically 50uF mains, 16uF screens, 32+32uF preamp). By 69 I mean the type with all caps on top of the chassis (typically 50uF mains, 50uF screens, 50+50uF preamp) and the output transformer rotated an moved farther away from the power transformer.
My own experience with these amps is limited to clones, except I have owned and played many 1970-72 Super Leads, as well as a converted 1970 Super PA.
I first built my 68 clone to minute detail, using NOS mustard caps and Iskra resistors, RS silver mica caps etc. You know, the works... Merren transformers. I also used NOS filter caps, Erie 32+32 for the preamp and 2xErie 100uF for the mains filter. It sounded great, but always very gainy and quite compressed with little attack. I just figured it was supposed to sound like that, being a Van Halen type amp and all, but I kept tweaking it to have a little more clean headroom and punch. I increased the screens filtering to 50uF (2 x NOS Erie 100uF caps in series) and used the 490V tap on the power transformer. Negative feedback is 47k @ 8 ohm.
Then a little while later, I decided to build an all out 69 clone. The amp was built using almost the same components and circuit. The opnly difference is WIMA TFF 0.022uF caps in place of mustards and WIMA MK series caps for the two 0.68uFs (being true to a very specific batch of Feb/March 69 SLs). Same Merren transformers. I used new filter caps on this one though; all ARS 50+50 caps.
Here's the problem; the two amps now have virtually identical specs as far as the circuit. The 68 now has a variable feedback pot, but even messing with that does not change its fundamental tone and feel much. The 68 also has 32+32uF preamp filtering, but apart from that, these two amps are exactly the same, circuit-wise. I am using a self-contained bridge rectifier on the 69, and four individual diodes on the 68, but the type of rectifier is fundamentally the same, with the PT center tap between the two mains filter caps.
No volume 1 bright cap in either amp.
Even when the two amps are virtually the same, they sound quite different. And more importantly, they *feel* very, very different. The 69 has a fast, clean, immediate attack with a lot of punch. The 68 is much more forgiving, in fact, it's rather soft sounding. It has much more compression, and does not clean up well at all. Here's a short video I made where I A/B them through the same cap. Same amp settings. Shitty sound, but towards the end of the video you can hear how one amp just does not clean up:
I should mention that in the above clip, the 69 actually had 6550 power tubes, but the difference remains consistent regardless of tubes. In fact, I have tried almost everything to level the playing field:
1) I put in the same type of tubes in both amps, biased the same
2) swapped preamp tubes back and forth, no change
3) I swapped the pre- and power amps between the amps. The difference in punch was less noticeable then, but the lack of clean-up and headroom seemed to follow the power amp (i.e. from phase inverter and out)
4) I have tried putting the 69 choke into the 68 amp - no difference
5) I have tried to replace, one by one, all the filter caps in the 68 with new production caps. No difference to speak of. Admittedly I have not done them all at the same time. But the old caps all measure fine for capacitance, ESR and leakage.
6) Replacing all the components in the phase inverter - no change
7) Replacing the 560pF cap in the tone stack - no change
8) Idle voltages in the amp are all very comparable
I should also mention that the 68 has always behaved impeccably - no hum, no extraneous noise, no unstable operation, no squeel even with all controls on 10. However, in my A/B testing I did hear some artifacts in the breakup at certain settings/combinations. Here's another clip which demonstrates a harsh breakup which happens particularly with one guitar with the 68. This nasty distortion isn't as obvious with any other guitars FWIW: