... VERY twangy, very odd, (to me) tone controls. ...
I haven't changed any other parts, but I did find on the innerwebs the following suggestions to boost low end and gain a bit. [In the photo]
Your amp's Bass control comprises the pair of resistances in a bridged-T filter, which is marked in the pic you have as a "midrange notch". Normally we could call a bridged-T filter a "mid notch" if the values were fixed, as that's how it's often employed in a guitar amp.
But your Bass pot appears to change the effective values of the resistors in the filter from "1MΩ & 1MΩ" (with the Bass pot at minimum) to "50kΩ & 50kΩ" (with Bass pot at maximum). That is, it bridges a 100kΩ resistor across the Bass pot, which will probably look to the circuit the same as two 50kΩ resistors in series. If that guess is true, sweeping the Bass pot really shifts the center-frequency of the notch from a low of ~71Hz (Bass at minimum) up to ~1.4kHz (when the Bass pot is at maximum).
Yes you could cut out the bridged-T filter circuit (or change parts values), but I suggest trying this first:
- Set the Treble control to maximum (it's just a roll-off control anyway, so you'll be throwing away less signal).
- Pretend the "Bass" control is labeled "Notch" then ignore the numbers and turn it until you get a good bass/treble balance with your guitar.
- Only turn down the Treble if you have too much high end once you've dialed in a good amount of lows with the "Notch" control.
The "Notch" control is moving around a fairly deep, wide notch. It just so happens that if you turn the control down so the notch is in the guitar's bass range, it sound like bass has been turned down. But it doesn't behave like the slider on a graphic EQ or the Bass knob on a James-type tone circuit, which turns a given frequency band up/down.
If you absolutely can't live with it, you'll probably find more functionality replacing the Bass & Treble controls with Fender-style tone controls, perhaps with the associated caps mounted on some perfboard behind the newly-replaced pots.
I disagree with the photo's recommendation to raise the cathode bypass caps up to 20µF (but I also haven't heard/tinkered with this amp first-hand). 2µF against 1kΩ is still -3dB at ~80Hz which is roughly the Low E, so it covers the guitar's range. 5µF against 1.5kΩ extends full gain even lower. It would be nice to know that whatever caps are in your amp haven't dried up to be much lower than stock, as that would then reduce bass.
I'd probably raise R3 to 1MΩ.
... And it doesn't get very loud for a 6BQ5 PP. (no where near as loud as my Stout TMB, through the same speaker, etc) ...
If you drive the input jack hard enough, it will probably be as loud as any other EL84 push-pull amp.
But the circuit overall is 1/2 of a 12AX7 into a lossy tone circuit into 1/2 of a 12AU7. The interstage phase inversion transformer may give some signal boost (or not; would have to measure to know). This all adds up to an amp which stays cleaner (or seems to sound weaker) than another amp with much the same output section but more amplification in the preamp.
R8 before the Volume control also reduces signal level by at least 2/3rds. You'd raise overall volume if you removed R8 (or replaced with a piece of wire) and used a 1MΩ audio pot instead of 250kΩ. You
could do what the picture you posted shows, but you'll be loading the input 6EU7 and somewhat reducing its available output before distortion.