I like classic Traynor amps, and have a few.
Personally, I like the two of them that are bass amps stock, when using them for guitar (with one exception - see below). You can take that with a grain of salt if you like. I am not generally the type to say "how can I make this non-Marshall amp sound more like a Marshall" or "how can I make this non-Fender amp sound more like a Fender". I buy amps like Traynors because I want something different from a Marshall or a Fender, but still awesome in ways that I like. So my preferences not to mod, or mod too much, right away, might be different from yours. But again, I like Traynor bass amps pretty much stock, for guitar use.
The one I have that is closest to your YBA-4 is a YBA-1 Mark II. In addition to being a head only, there are a few other differences, but overall they're close.
A few thoughts about this comment:
Both sound very good although the 6 string does have a bit of a boost in the upper mids which is a little bit overbearing and can cause some pain to the auditory nerve.
You may already be aware of this, but maybe not, so I'll mention it. If you plug into the "bright" channel - that's the side with a 0.001uf cap strapped across the volume pot - you will obviously get a high-end boost.
In my opinion, the bright channel can be a bit much. I actually think that most of the time - the stock / standard treble bleed cap is generally a bit much for my taste, on most amps (not just my Traynors).
You've got options, before going crazy with mods.
One thing I have found can work well on my YBA-1 is the widely-used jumper-the-channel-inputs approach, as shown on this four-input Marshall pic I just googled-up in case you are not familiar:
https://www.tdpri.com/data/attachments/166/166154-6f551abafe3d61b3327276a4fd6e1a6f.jpgI like to do this anyway when going for hard-rock guitar tones on my YBA-1, because you get more gain. But it also lets you blend in more of the non-bright channel (turn it up higher), and less of the bright channel (keep it lower). So yes, this gets you more drive and gain - but it also lets you mix the two channels together in ways that affect the overall tone.
Another option is to replace the volume pot with one that has a switch on it, to switch the bright cap in and out according to preference. I have done that. It works. Some people try a smaller value bright cap. Others just cut the bright cap right off, which is a fine approach if your bright cap hatred is pure enough.
And yes - these are loud amps. I like them that way. There are many options for trying to limit the decibels coming out of an amp that was designed to be loud. Some work reasonably well, others do not; most have significant pros and cons. I'm not sure there is an easy, perfect solution, but plenty of things to try.
I think one that is too often overlooked, is to find a different speaker with appropriate power handling (wattage), but lower SPL. I preach about this too much I guess, but there really is a noticeable difference in the volume put out by a guitar speaker rated at 97 SPL vs. 101 SPL. I don't know how many 15-inch, 100-watt-plus, 97 SPL (or lower?) guitar speakers are out there. Maybe? Or if you are OK switching to another cabinet, maybe try a 12" of sufficient wattage but lower SPL.