I read recently, don't remember where, that F&T sold to another company. I love their caps!
Sprague caps, while very good, have gone through the roof in price and their larger in size the F&T caps. I stopped using Sprague's because of this and have had no problems with F&T caps. I cut a 'newer' Sprague open some years ago and the cap inside was/is much smaller than the shell. Story goes that the reason we still have these Sprague caps is because the US military placed orders for these caps because of the size to replace aged lytic caps in tube gear they still have. The size made it easy to just pop them in with out messing around. So it was for the size of the can, with a modern construction lytic cap inside.
Film caps do last forever, but they say, over at KOC's web site, guys who have used them in builds, that they will change the sound and feel of the amp some. They respond faster than lytics and they don't distort on the hi/low ends of the frequency spectrum like lytics do. The larger the value cap the more it distorts. KOC said he uses 5 @ 20uf to replace a 100uF in his builds to lessen this distortion some. And goes as far as taking the B+ out for the chain from the last of the 5 || caps, claiming it's cleaner their than at the input/1st cap.
What they say you'll hear is 'there's something missing.' This would line up with a link that Silvergun posted on an experiment someone did with a regulated PSU in a tweed Bassman.
They also said, if you go with film caps, you can often use a smaller value than the lytic for the same spot in the PSU filter chain. Which would be good, cause their very big compared to lytic caps.
Carr amps has a model or 2 that uses them, guys seem to love them, so......

Carr said in an interview in Tone Quest Repot mag, something about how fast they respond, and that's why he used in in certain builds/models. I'd have to sort through a huge stack to find the issue. Maybe look up his web site and look at the different models to find what he has to say about it?