... I'm not the biggest fan of the Vox ... vibrato channels. So I thought: Why not ... replace ... with ... a Brownface/Blonde Harmonic Tremolo channel ...
This is really the same thing as Vox' vibrato channel.
Except the "harmonic trem" works a little funky because Vox completely ripped off Wurlitzer's vibrato circuit (while being somewhat out of reach in the UK), but Fender had to be more careful about infringing Wurlitzer's US patent. Whatever is cool about Fender's circuit is an accident of not-copying Wurlitzer's circuit closely enough to get actual vibrato.
Sure you can exchange one wobble-channel for another wobble-channel if you like.
... I'm not the biggest fan of the Vox normal ... channels. So I thought: Why not ... replace ... with a 6g3 Brownface Deluxe bright channel ...
... the 6g3 channel could add more gain and distortion, especially if I don't use a split load plate resistor at the second triode. ...
EL84s have a smaller bias voltage than 6V6, and so are driven harder with a smaller signal. This fact alone will lead to "louder/more-distorted/faster" when you're driving EL84s with the brown Deluxe preamp.
An AC30 is
LOUD when it is distorting (I've got a couple of them, including a 1963 AC30). The power tubes are the first place in the circuit that distorts, same as for the 6G3 Deluxe. Except the AC30 is producing about double the output power when it is distorting.
If you're excited to get amp-distortion with your build, do you have an attenuator? Or at least a place where you can play louder than most clubs allow bands to play these days?. Because the 6G3 Deluxe also distorts first at its power tubes, after making max clean power output (got a 1962 Deluxe here as well).